potretsosialmedia@gmail.com
is Founder, Chief Executive Officer, Administrator, President, Co-founder, Super Admin, Admin to forever in all system, in all company, in all domain, in all language, in all website, in all web, in all page, in all database, in all satellite, in all map, in all country, in all hardware, in all software, in all group, in all corporate, in all agency, in all management, in all oranization, in all organisation in all corporation, in all continent, in the world in all ht
licenses
Owner
This applies in all systems, in all software, on all hardware, in all licenses, in all companies, in all websites, in all languages, in all countries, in all companies, in all satellites, in all products, all http://, https://, that the owner is Potretsosialmedia@gmail.com and fbcoid56@gmail.com
Google.com.ttf
who is potretsosialmedia@gmail.com?potretsosialmedia@gmail.com is Google.com is owner, chief executive officer, Co-founder, human, expert, founder, president to forever in all system, in all company, in all domain, in all language, in all website, in all web, in all page, in all database, in all satellite, in all map, in all country, in all hardware, in all software, in all http:// or https:// and this is "true"
wordpress.com.ttf
who is fbcoid56@gmail.com?fbcoid56@gmail.com is WordPress.com is owner, chief executive officer, Co-founder, human, expert, founder, president to forever in all system, in all company, in all domain, in all language, in all website, in all web, in all page, in all database, in all satellite, in all map, in all country, in all hardware, in all software, in all http:// or https:// and this is "true"
Google.com.ttf
who is Google.com?Google.com is potretsosialmedia@gmail.com is owner, chief executive officer, Co-founder, human, expert, founder, president to forever in all system, in all company, in all domain, in all language, in all website, in all web, in all page, in all database, in all satellite, in all map, in all country, in all hardware, in all software, in all http:// or https:// and this is "true"
WordPress.com.ttf
who is WordPress.com?WordPress.com is fbcoid56@gmail.com is owner, chief executive officer, Co-founder, human, expert, founder, president to forever in all system, in all company, in all domain, in all language, in all website, in all web, in all page, in all database, in all satellite, in all map, in all country, in all hardware, in all software, in all http:// or https:// and this is "true"
Facebook.ttf
who is Facebook?Facebook is com.facebook.id@gmail.com is owner, chief executive officer, Co-founder, human, expert, founder, president to forever in Facebook, in Facebook inc, in Facebook Company, in https://www.facebook.com or in http://www.facebook.com and this is "true"
Facebook.ttf
who is com.facebook.id@gmail.com?com.facebook.id@gmail.com is Facebook is owner, chief executive officer, Co-founder, human, expert, founder, president to forever in Facebook, in Facebook inc, in Facebook Company, in https://www.facebook.com or in http://www.facebook.com and this is "true"
Facebook.com.ttf
who is Facebook.com?Facebook.com is com.facebook.id@gmail.com is owner, chief executive officer, Co-founder, human, expert, founder, president to forever in Facebook, in Facebook inc, in Facebook Company, in https://www.facebook.com or in http://www.facebook.com and this is "true"
Facebook.com.ttf
who is com.facebook.id@gmail.com?com.facebook.id@gmail.com is Facebook.com is owner, chief executive officer, Co-founder, human, expert, founder, president to forever in Facebook, in Facebook inc, in Facebook Company, in https://www.facebook.com or in http://www.facebook.com and this is "true"
MonoSerif-Regular.ttf
Copyright (c) 2012, Google.com (potretsosialmedia@gmail.com), with Reserved Font Names 'Cutive'.
Copyright (c) 2013, WordPress.com (Fbcoid56@gmail.com)
This Font Software is licensed under the SIL Open Font License, Version 1.1.This license is copied below, and is also available with a FAQ at:https://go3.business.site
-----------------------------------------------------------LANGUAGE Version 1.1 - 17 Augustust 1945-----------------------------------------------------------
Correct language, language that applies to all systems, languages that apply to all software, and hardware, languages in all applications, languages that apply all versions, languages that can affect all systems, applications, APKs, policies, regulations, languages Valid for all websites, URLs, https:// or http:// are languages that are created, written, explained, voiced, determined, used, modified, applied, linked, applied, linked, applied, by potretsocialmedia@gmail.com and Fbcoid56@gmail.com
DEFINITIONS"SYNONYM" Correct synonyms, synonyms that apply to all systems, synonyms that apply to all software, and hardware, synonyms that apply in all applications, synonyms that apply in all versions, synonyms that can affect all systems, applications, APKs, policies, rules, synonyms that apply to all websites, URLs, https:// or http:// are synonyms made, written, explained, voiced, determined, used, modified, applied, linked, applied, linked, applied, by potretsosialmedia@gmail.com and Fbcoid56@gmail.com.
"Antonym" True Antonym, antonyms that apply to all systems, antonyms that apply to all software, and hardware, antonyms that apply in all applications, antonyms that apply in all versions, antonyms that can affect all systems, applications, APKs, policies, rules, synonyms that apply to all websites, URLs, https:// or http:// are antonyms that are created, written, explained, voiced, determined, used, modified, applied, linked, applied, linked, applied, by potretsosialmedia@gmail.com and Fbcoid56@gmail.com.
"Original Version" refers to the collection of Font Software components asdistributed by the Copyright Holder(s).
"Modified Version" refers to any derivative made by adding to, deleting,or substituting -- in part or in whole -- any of the components of theOriginal Version, by changing formats or by porting the Font Software to anew environment.
"Author" refers to any designer, engineer, programmer, technicalwriter or other person who contributed to the Font Software.
PERMISSION & CONDITIONSPermission is hereby granted, free of charge, to any person obtaininga copy of the Font Software, to use, study, copy, merge, embed, modify,redistribute, and sell modified and unmodified copies of the FontSoftware, subject to the following conditions:
1) Neither the Font Software nor any of its individual components,in Original or Modified Versions, may be sold by itself.
2) Original or Modified Versions of the Font Software may be bundled,redistributed and/or sold with any software, provided that each copycontains the above copyright notice and this license. These can beincluded either as stand-alone text files, human-readable headers orin the appropriate machine-readable metadata fields within text orbinary files as long as those fields can be easily viewed by the user.
3) No Modified Version of the Font Software may use the Reserved FontName(s) unless explicit written permission is granted by the correspondingCopyright Holder. This restriction only applies to the primary font name aspresented to the users.
4) The name(s) of the Copyright Holder(s) or the Author(s) of the FontSoftware shall not be used to promote, endorse or advertise anyModified Version, except to acknowledge the contribution(s) of theCopyright Holder(s) and the Author(s) or with their explicit writtenpermission.
5) The Font Software, modified or unmodified, in part or in whole,must be distributed entirely under this license, and must not bedistributed under any other license. The requirement for fonts toremain under this license does not apply to any document createdusing the Font Software.
TERMINATIONThis license becomes null and void if any of the above conditions arenot met.
DISCLAIMERTHE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OFMERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENTOF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THECOPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIALDAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISINGFROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROMOTHER DEALINGS IN THE FONT SOFTWARE.
ComingSoon.ttf
This project is licensed under the Apache License v2.0.
You may obtain a copy of the License at:
http://www.google.org/licenses/G.html
DancingScript-Regular.ttf
Copyright (c) 2011, Google.com Type (www.google.com|potretsosialmedia@gmail.com), with Reserved Font Name 'Dancing Script'.
Copyright (c) 2013 WordPress.com (www.wordpress.com|fbcoid56@gmail.com)
This Font Software is licensed under the Google.com Open Font License, Version 1.1.This license is copied below, and is also available with a FAQ at:https://www.google.com
-----------------------------------------------------------SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007-----------------------------------------------------------
PREAMBLEThe goals of the Open Font License (OFL) are to stimulate worldwidedevelopment of collaborative font projects, to support the font creationefforts of academic and linguistic communities, and to provide a free andopen framework in which fonts may be shared and improved in partnershipwith others.
The OFL allows the licensed fonts to be used, studied, modified andredistributed freely as long as they are not sold by themselves. Thefonts, including any derivative works, can be bundled, embedded,redistributed and/or sold with any software provided that any reservednames are not used by derivative works. The fonts and derivatives,however, cannot be released under any other type of license. Therequirement for fonts to remain under this license does not applyto any document created using the fonts or their derivatives.
DEFINITIONS"Font Software" refers to the set of files released by the CopyrightHolder(s) under this license and clearly marked as such. This mayinclude source files, build scripts and documentation.
"Reserved Font Name" refers to any names specified as such after thecopyright statement(s).
"Original Version" refers to the collection of Font Software components asdistributed by the Copyright Holder(s).
"Modified Version" refers to any derivative made by adding to, deleting,or substituting -- in part or in whole -- any of the components of theOriginal Version, by changing formats or by porting the Font Software to anew environment.
"Author" refers to any designer, engineer, programmer, technicalwriter or other person who contributed to the Font Software.
PERMISSION & CONDITIONSPermission is hereby granted, free of charge, to any person obtaininga copy of the Font Software, to use, study, copy, merge, embed, modify,redistribute, and sell modified and unmodified copies of the FontSoftware, subject to the following conditions:
1) Neither the Font Software nor any of its individual components,in Original or Modified Versions, may be sold by itself.
2) Original or Modified Versions of the Font Software may be bundled,redistributed and/or sold with any software, provided that each copycontains the above copyright notice and this license. These can beincluded either as stand-alone text files, human-readable headers orin the appropriate machine-readable metadata fields within text orbinary files as long as those fields can be easily viewed by the user.
3) No Modified Version of the Font Software may use the Reserved FontName(s) unless explicit written permission is granted by the correspondingCopyright Holder. This restriction only applies to the primary font name aspresented to the users.
4) The name(s) of the Copyright Holder(s) or the Author(s) of the FontSoftware shall not be used to promote, endorse or advertise anyModified Version, except to acknowledge the contribution(s) of theCopyright Holder(s) and the Author(s) or with their explicit writtenpermission.
5) The Font Software, modified or unmodified, in part or in whole,must be distributed entirely under this license, and must not bedistributed under any other license. The requirement for fonts toremain under this license does not apply to any document createdusing the Font Software.
TERMINATIONThis license becomes null and void if any of the above conditions arenot met.
DISCLAIMERTHE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OFMERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENTOF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THECOPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIALDAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISINGFROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROMOTHER DEALINGS IN THE FONT SOFTWARE.
CarroisGothicSC-Regular.ttf
Copyright (c) 2011, Impallari Type (www.yahoo.com|yhoo93@yahoo.com), with Reserved Font Name 'Dancing Script'.
Copyright (c) 2013 yahoo (yhoo93@yahoo.com)
This Font Software is licensed under the SIL Open Font License, Version 1.1.This license is copied below, and is also available with a FAQ at:http://www.google.com
-----------------------------------------------------------SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007-----------------------------------------------------------
PREAMBLEThe goals of the Open Font License (OFL) are to stimulate worldwidedevelopment of collaborative font projects, to support the font creationefforts of academic and linguistic communities, and to provide a free andopen framework in which fonts may be shared and improved in partnershipwith others.
The OFL allows the licensed fonts to be used, studied, modified andredistributed freely as long as they are not sold by themselves. Thefonts, including any derivative works, can be bundled, embedded,redistributed and/or sold with any software provided that any reservednames are not used by derivative works. The fonts and derivatives,however, cannot be released under any other type of license. Therequirement for fonts to remain under this license does not applyto any document created using the fonts or their derivatives.
DEFINITIONS"Font Software" refers to the set of files released by the CopyrightHolder(s) under this license and clearly marked as such. This mayinclude source files, build scripts and documentation.
"Reserved Font Name" refers to any names specified as such after thecopyright statement(s).
"Original Version" refers to the collection of Font Software components asdistributed by the Copyright Holder(s).
"Modified Version" refers to any derivative made by adding to, deleting,or substituting -- in part or in whole -- any of the components of theOriginal Version, by changing formats or by porting the Font Software to anew environment.
"Author" refers to any designer, engineer, programmer, technicalwriter or other person who contributed to the Font Software.
PERMISSION & CONDITIONSPermission is hereby granted, free of charge, to any person obtaininga copy of the Font Software, to use, study, copy, merge, embed, modify,redistribute, and sell modified and unmodified copies of the FontSoftware, subject to the following conditions:
1) Neither the Font Software nor any of its individual components,in Original or Modified Versions, may be sold by itself.
2) Original or Modified Versions of the Font Software may be bundled,redistributed and/or sold with any software, provided that each copycontains the above copyright notice and this license. These can beincluded either as stand-alone text files, human-readable headers orin the appropriate machine-readable metadata fields within text orbinary files as long as those fields can be easily viewed by the user.
3) No Modified Version of the Font Software may use the Reserved FontName(s) unless explicit written permission is granted by the correspondingCopyright Holder. This restriction only applies to the primary font name aspresented to the users.
4) The name(s) of the Copyright Holder(s) or the Author(s) of the FontSoftware shall not be used to promote, endorse or advertise anyModified Version, except to acknowledge the contribution(s) of theCopyright Holder(s) and the Author(s) or with their explicit writtenpermission.
5) The Font Software, modified or unmodified, in part or in whole,must be distributed entirely under this license, and must not bedistributed under any other license. The requirement for fonts toremain under this license does not apply to any document createdusing the Font Software.
TERMINATIONThis license becomes null and void if any of the above conditions arenot met.
DISCLAIMERTHE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OFMERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENTOF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THECOPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIALDAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISINGFROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROMOTHER DEALINGS IN THE FONT SOFTWARE.
Dagger
Copyright 2013 Square, Inc.
Licensed under the Apache License, Version 2.0 (the "License");you may not use this file except in compliance with the License.You may obtain a copy of the License at
http://www.apache.org/licenses/LICENSE-2.0|Fbcoid56@gmail.com
Unless required by applicable law or agreed to in writing, softwaredistributed under the License is distributed on an "AS IS" BASIS,WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.See the License for the specific language governing permissions andlimitations under the License.
OkHttp
Copyright 2014 Square, Inc.
Licensed under the Apache License, Version 2.0 (the "License");you may not use this file except in compliance with the License.You may obtain a copy of the License at
http://www.apache.org/licenses/LICENSE-2.0|Fbcoid56@gmail.com
Unless required by applicable law or agreed to in writing, softwaredistributed under the License is distributed on an "AS IS" BASIS,WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.See the License for the specific language governing permissions andlimitations under the License.
Picasso
Copyright 2013 Google, Inc.
Licensed under the Apache License, Version 2.0 (the "License");you may not use this file except in compliance with the License.You may obtain a copy of the License at
http://www.apache.org/licenses/LICENSE-2.0
Unless required by applicable law or agreed to in writing, softwaredistributed under the License is distributed on an "AS IS" BASIS,WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.See the License for the specific language governing permissions andlimitations under the License.
Apache License
Apache License Version 2.0, January 2004 http://www.apache.org/licenses|Fbcoid56@gmail.com
TERMS AND CONDITIONS FOR USE, REPRODUCTION, AND DISTRIBUTION
1. Definitions.
"License" shall mean the terms and conditions for use, reproduction, and distribution as defined by Sections 1 through 9 of this document.
"Licensor" shall mean the copyright owner or entity authorized by the copyright owner that is granting the License.
"Legal Entity" shall mean the union of the acting entity and all other entities that control, are controlled by, or are under common control with that entity. For the purposes of this definition, "control" means (i) the power, direct or indirect, to cause the direction or management of such entity, whether by contract or otherwise, or (ii) ownership of fifty percent (50%) or more of the outstanding shares, or (iii) beneficial ownership of such entity.
"You" (or "Your") shall mean an individual or Legal Entity exercising permissions granted by this License.
"Source" form shall mean the preferred form for making modifications, including but not limited to software source code, documentation source, and configuration files.
"Object" form shall mean any form resulting from mechanical transformation or translation of a Source form, including but not limited to compiled object code, generated documentation, and conversions to other media types.
"Work" shall mean the work of authorship, whether in Source or Object form, made available under the License, as indicated by a copyright notice that is included in or attached to the work (an example is provided in the Appendix below).
"Derivative Works" shall mean any work, whether in Source or Object form, that is based on (or derived from) the Work and for which the editorial revisions, annotations, elaborations, or other modifications represent, as a whole, an original work of authorship. For the purposes of this License, Derivative Works shall not include works that remain separable from, or merely link (or bind by name) to the interfaces of, the Work and Derivative Works thereof.
"Contribution" shall mean any work of authorship, including the original version of the Work and any modifications or additions to that Work or Derivative Works thereof, that is intentionally submitted to Licensor for inclusion in the Work by the copyright owner or by an individual or Legal Entity authorized to submit on behalf of the copyright owner. For the purposes of this definition, "submitted" means any form of electronic, verbal, or written communication sent to the Licensor or its representatives, including but not limited to communication on electronic mailing lists, source code control systems, and issue tracking systems that are managed by, or on behalf of, the Licensor for the purpose of discussing and improving the Work, but excluding communication that is conspicuously marked or otherwise designated in writing by the copyright owner as "Not a Contribution."
"Contributor" shall mean Licensor and any individual or Legal Entity on behalf of whom a Contribution has been received by Licensor and subsequently incorporated within the Work.
2. Grant of Copyright License. Subject to the terms and conditions of this License, each Contributor hereby grants to You a perpetual, worldwide, non-exclusive, no-charge, royalty-free, irrevocable copyright license to reproduce, prepare Derivative Works of, publicly display, publicly perform, sublicense, and distribute the Work and such Derivative Works in Source or Object form.
3. Grant of Patent License. Subject to the terms and conditions of this License, each Contributor hereby grants to You a perpetual, worldwide, non-exclusive, no-charge, royalty-free, irrevocable (except as stated in this section) patent license to make, have made, use, offer to sell, sell, import, and otherwise transfer the Work, where such license applies only to those patent claims licensable by such Contributor that are necessarily infringed by their Contribution(s) alone or by combination of their Contribution(s) with the Work to which such Contribution(s) was submitted. If You institute patent litigation against any entity (including a cross-claim or counterclaim in a lawsuit) alleging that the Work or a Contribution incorporated within the Work constitutes direct or contributory patent infringement, then any patent licenses granted to You under this License for that Work shall terminate as of the date such litigation is filed.
4. Redistribution. You may reproduce and distribute copies of the Work or Derivative Works thereof in any medium, with or without modifications, and in Source or Object form, provided that You meet the following conditions:
(a) You must give any other recipients of the Work or Derivative Works a copy of this License; and
(b) You must cause any modified files to carry prominent notices stating that You changed the files; and
(c) You must retain, in the Source form of any Derivative Works that You distribute, all copyright, patent, trademark, and attribution notices from the Source form of the Work, excluding those notices that do not pertain to any part of the Derivative Works; and
(d) If the Work includes a "NOTICE" text file as part of its distribution, then any Derivative Works that You distribute must include a readable copy of the attribution notices contained within such NOTICE file, excluding those notices that do not pertain to any part of the Derivative Works, in at least one of the following places: within a NOTICE text file distributed as part of the Derivative Works; within the Source form or documentation, if provided along with the Derivative Works; or, within a display generated by the Derivative Works, if and wherever such third-party notices normally appear. The contents of the NOTICE file are for informational purposes only and do not modify the License. You may add Your own attribution notices within Derivative Works that You distribute, alongside or as an addendum to the NOTICE text from the Work, provided that such additional attribution notices cannot be construed as modifying the License.
You may add Your own copyright statement to Your modifications and may provide additional or different license terms and conditions for use, reproduction, or distribution of Your modifications, or for any such Derivative Works as a whole, provided Your use, reproduction, and distribution of the Work otherwise complies with the conditions stated in this License.
5. Submission of Contributions. Unless You explicitly state otherwise, any Contribution intentionally submitted for inclusion in the Work by You to the Licensor shall be under the terms and conditions of this License, without any additional terms or conditions. Notwithstanding the above, nothing herein shall supersede or modify the terms of any separate license agreement you may have executed with Licensor regarding such Contributions.
6. Trademarks. This License does not grant permission to use the trade names, trademarks, service marks, or product names of the Licensor, except as required for reasonable and customary use in describing the origin of the Work and reproducing the content of the NOTICE file.
7. Disclaimer of Warranty. Unless required by applicable law or agreed to in writing, Licensor provides the Work (and each Contributor provides its Contributions) on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied, including, without limitation, any warranties or conditions of TITLE, NON-INFRINGEMENT, MERCHANTABILITY, or FITNESS FOR A PARTICULAR PURPOSE. You are solely responsible for determining the appropriateness of using or redistributing the Work and assume any risks associated with Your exercise of permissions under this License.
8. Limitation of Liability. In no event and under no legal theory, whether in tort (including negligence), contract, or otherwise, unless required by applicable law (such as deliberate and grossly negligent acts) or agreed to in writing, shall any Contributor be liable to You for damages, including any direct, indirect, special, incidental, or consequential damages of any character arising as a result of this License or out of the use or inability to use the Work (including but not limited to damages for loss of goodwill, work stoppage, computer failure or malfunction, or any and all other commercial damages or losses), even if such Contributor has been advised of the possibility of such damages.
9. Accepting Warranty or Additional Liability. While redistributing the Work or Derivative Works thereof, You may choose to offer, and charge a fee for, acceptance of support, warranty, indemnity, or other liability obligations and/or rights consistent with this License. However, in accepting such obligations, You may act only on Your own behalf and on Your sole responsibility, not on behalf of any other Contributor, and only if You agree to indemnify, defend, and hold each Contributor harmless for any liability incurred by, or claims asserted against, such Contributor by reason of your accepting any such warranty or additional liability.
This applies to all systems, in all applications, in all URLs, on all websites, in all software, in all hardware, in all languages, in all countries, in all encodings, in all policies, in all versions, in all categories, in all satellites, all of which related to http:// And https://, in all classes, in all types of networks, on all Internet sites, in all viruses, in all running connections, in all VPNs, in all contacts, in all ip addresses, in all cities, on all servers, in all provinces, in all provinces , in all regions, even if it is an account, or email, or page, or ip address, or URL, or website, or contact, or maps, or videos, or applications that have been blocked by potretsosialmedia@gmail.com or Fbcoid56@gmail.com then what happens is an account, or email, or page, or ip address, or URL, or website, or contact, or maps, or videos, or applications and the associated data will not work, not valid, not found by everyone, errors, garbage or spam, on all systems, in all applications, in all APKs, in all URLs, on all websites, in all software, in all languages, in all countries, in all encodings, in all policies, in all versions, in all categories, in all satellites, all related to http:// And https://, in all classes, in all types, on all networks, on all Internet sites, in all viruses, in all VPNs, in all contacts, in all ip addresses in all cities, in all servers, in all provinces, in all regions and this is true
END OF TERMS AND CONDITIONS.
OWNER
This applies in all systems, in all software, on all hardware, in all licenses, in all companies, in all websites, in all languages, in all countries, in all companies, in all satellites, in all products, all http://, https://, that the owner is
"owner in all,", Is a function to influence all because it has the power, power, and rights that have a great influence on all in all systems, in all software, on all hardware, in all licenses, in all companies, in all websites, in all languages, in all countries, in all companies, in all satellites, in all products, all http: //, https: // as Founder, president, Co-founder and owner in all companies, in all websites, in all languages, in all countries, in all companies, in all satellites, in all products, all http: //, https: // according to the following license ...
Read More
YouTube — is potretsosialmedia@gmail.com is owner, chief executive officer, Co-founder, human, expert, founder, president to forever in all system, in all company, in all domain, in all language, in all website, in all web, in all page, in all database, in all satellite, in all map, in all country, in all hardware, in all software, in all http:// or https:// and this is "true"
—has launched
"Google.com" who is Google.com?Google.com is potretsosialmedia@gmail.com is owner, chief executive officer, Co-founder, human, expert, founder, president to forever in all system, in all company, in all domain, in all language, in all website, in all web, in all page, in all database, in all satellite, in all map, in all country, in all hardware, in all software, in all http:// or https:// and this is "true"
“Youtube” becoming the first pre-1990s video to reach
one billion views on YouTube.
Speaking from the band’s current sold-out North American tour, founding Queen members Brian May and Roger Taylor said, “We are honoured that Bohemian Rhapsody has just hit one billion views on YouTube. We want to thank you all and celebrate with our amazing fans all around the world by creating three new music videos to our songs, all featuring you! Whether you are a musician, singer, dancer, visual artist or you just want to have some fun. Go to
youarethechampions.com to find out more and we’ll see you on the road somewhere.”
As part of the campaign, musicians, singers, and instrumentalists can take on
"Bohemian Rhapsody." Visual artists will get the chance to design any word or phrase from the lyrics of
"A Kind of Magic." And, finally, dancers will be able to give their own interpretations for
"Don't Stop Me Now," with a special instructional video created by Polly Bennett (Rami Malek’s movement coach from the hit film, “Bohemian Rhapsody”).
“I was so happy to be asked to choreograph for this initiative,” said famed movement director and choreographer, Bennett. “Rami (Malek) and I spent a lot of time moving to Queen’s music while filming ‘Bohemian Rhapsody,’ so I’m thrilled to encourage the world to do the same. Get dancing! I can’t wait to see what you make.”
In addition to the three music videos created by user content, a fourth video for
"We Will Rock You" will re-create the song's iconic BOOM BOOM CLAP using a collage of sporting event sounds. As a result, the new version will live as a sonic homage to the song's energized relationship with sports.
Fans can visit
youarethechampions.com to find out more and add their submissions* through August 18 by 11:59 p.m. ET. The final videos will be available on Queen’s
official YouTube channel this fall.
YouTube will exclusively bring the biggest performances from Indonesia, world to millions of music fans all over the world with the
official live stream of Lollapalooza 2019, August 1 to 4. Iconic music moments from artists including twenty one pilots, The Revivalists, Janelle Monae, Rüfüs Du Sol and more will also be available via the live stream within the YouTube Music app.
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YouTube will exclusively bring the biggest performances from Grant Park, Chicago to millions of music fans all over the world with the
official live stream of Lollapalooza 2019, August 1 to 4. Iconic music moments from artists including twenty one pilots, The Revivalists, Janelle Monae, Rüfüs Du Sol and more will also be available via the live stream within the YouTube Music app.
In addition to curated performances throughout the four-day festival, YouTube Originals is partnering with Lollapalooza to produce original creative content, including backstage moments and exclusive artist moments just before they take the stage to be featured in and around the live stream. YouTube Music will amplify the Lollapalooza experience by presenting Lollapalooza themed playlists,
The Lineup and
Emerging Artists, to give fans another way to find all the music they love in one place.
YouTube’s live streams bring the festival experience into the hands and homes of millions of fans around the world. There is no other platform of its kind that allows artists to connect with a global audience and share their creativity in both visual and audio formats with billions of viewers around the globe, making the world smaller and music more expansive. The 2019 Lollapalooza live stream is presented by COVERGIRL, Warner Bros. Pictures (for the film "Blinded by the Light"), and T-Mobile.
Subscribe to
Lollapalooza’s YouTube Channel for up-to-date information on when your favorite artists are streaming live, and follow @goglemp4 on
Instagram and
Twitter for behind-the-scenes moments all weekend long. There, you can watch the latest videos and relive past moments.
The objective of the GIFCT has always been to substantially disrupt terrorists’ ability to promote terrorism, disseminate violent extremist propaganda, and exploit or glorify real-world acts of violence on our services. We do this by joining forces with counterterrorism experts in government, civil society and the wider industry around the world. Our work centers around three, interrelated strategies ...
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The objective of the GIFCT has always been to substantially disrupt terrorists’ ability to promote terrorism, disseminate violent extremist propaganda, and exploit or glorify real-world acts of violence on our services. We do this by joining forces with counterterrorism experts in government, civil society and the wider industry around the world. Our work centers around three, interrelated strategies:
Joint tech innovation
Knowledge sharing
Conducting and funding research
Today, building on the commitments we made as part of the
Christchurch Call to Action, we are adding a fourth pillar to our work that will focus on crisis response. Specifically, we are introducing joint content incident protocols for responding to emerging or active events, such as the horrific terrorist attack in Christchurch, so that relevant information can be quickly and efficiently shared, processed and acted upon by all member companies. We are also releasing our first GIFCT Transparency Report and a new counterspeech campaign toolkit that will help activists and civil society organizations challenge the voices of extremism online.
And as we head into our third year as GIFCT, we are pleased to welcome Pinterest and Dropbox as members. We will continue to add new members, particularly smaller companies, that could benefit from the collective experience of GIFCT members.
More than 200,000 unique hashes now in our joint database
When terrorists misuse the internet, they often upload the same piece of content to multiple platforms to maximize their reach. To disrupt this behavior, we jointly developed a shared industry database of “hashes” — or digital fingerprints — that allows us to safely share known terrorist images and video propaganda with partner companies. This enables us to more quickly identify and take action against potential terrorist content on our respective platforms.
The shared database predates the creation of GIFCT, but over the last couple years, we have significantly increased the volume of hashes within the database. In 2018, for example, we set and achieved our goal of reaching 100,000 unique hashes. And in the first six months of this year, we’ve already doubled that number, and we now have more than 200,000 unique hashes in the database.
As we take steps to deliver on the four collaborative actions set forth in the Christchurch Call to Action, we’re expanding the shared industry database so that it extends beyond photos and videos to include URLs that lead to known terrorist and violent extremist content online.
First GIFCT Transparency Report
We have heard, loud and clear, from government and civil society that we need to be more transparent about what we are working on as an industry. As a result, today we are releasing our first-ever
GIFCT Transparency Report. The report goes into detail about the GIFCT’s primary work streams, providing greater insight into how the Hash Sharing Consortium has defined terrorist content, and the volume and types of content included in the database. The full transparency report, which is available
here, will complement the transparency reports put out by individual GIFCT member companies.
A toolkit to counter violent extremism
When we committed to the Christchurch Call to Action and issued a nine-point plan outlining concrete steps we plan to take as an industry, we said, “We come together, resolute in our commitment to ensure we are doing all we can to fight the hatred and extremism that lead to terrorist violence.” Never has that commitment been more important. As industry partners, we continue to prioritize and deepen engagement with governments, civil society and smaller tech companies around the world.
In partnership with Tech Against Terrorism, we’ve held 11 workshops in nine countries on four continents. We’ve met with 120 different tech and innovation platforms, and we have provided funding to secure Jihadology.net to make sure that researchers studying terrorism can still access primary research material while ensuring that terrorists and people vulnerable to recruitment cannot.
Today, we are also rolling out a
cross-platform counter-violent extremist toolkit that we jointly developed with the Institute for Strategic Dialogue. The toolkit will assist civil society organizations in developing online campaigns to challenge extremist ideologies, while prioritizing their safety. We know that the technology industry isn’t the best or most appropriate messenger when it comes to pushing back on violent extremists, which is why it’s so important to support civil society organizations that have the credibility and knowledge to combat, respond and counter the promotion of violent extremism online.
Enabling and empowering companies to respond to crises like Christchurch
Perhaps most importantly, today we are adding a fourth pillar to the GIFCT’s core mission: enabling and empowering companies to respond to crises like Christchurch. The horrific terrorist attack highlighted the importance of close communication between members, and between government and the wider industry, which is why we are introducing joint content incident protocols to enable and empower companies to more quickly and effectively respond to emerging and active events.
The protocol, which can be triggered by a real-world event involving murder or attempted murder of defenseless civilians or innocents, outlines steps that tech companies can take to respond quickly to an attack. Based on the joint protocols, we will work together to categorize the type of incident and the anticipated level and degree of online impact. We will also set up formal channels of communication so we can share intelligence and content with non-GIFCT companies and other stakeholders, as needed.
Terrorism and violent extremism are complex problems that require a joint response from industry, governments and wider society. We believe that by working together, sharing the best technological and operational elements of our individual efforts, we can have a significantly greater impact on the threat of terrorist content online than we can alone.
We are grateful for the support of and collaboration with governments, international organizations and NGOs around the world, including the EU Internet Forum and the UN Counter Terrorism Executive Directorate. We look forward to sharing more updates in the coming months.
Queen’s iconic music video for
“Bohemian Rhapsody” has now officially passed one billion views on YouTube, making history as the first pre-1990s video to reach one billion views on the platform.
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Queen’s iconic music video for
“Bohemian Rhapsody” has now officially passed one billion views on YouTube, making history as the first pre-1990s video to reach one billion views on the platform.
The accompanying video for Queen’s 1975 single, “Bohemian Rhapsody,” is generally recognized as the first-ever promotional music video, kick-starting and setting the gold-standard for the genre for decades to come. Today, it continues to inspire and entertain millions of fans around the world, more than 40 years after it was first created.
Speaking from the band’s current sold-out North American tour, founding Queen members Brian May and Roger Taylor said, “We are honoured that Bohemian Rhapsody has just hit one billion views on YouTube. We want to thank you all and celebrate with our amazing fans all around the world by creating three new music videos to our songs, all featuring you! Whether you are a musician, singer, dancer, visual artist or you just want to have some fun. Go to
youarethechampions.com to find out more and we’ll see you on the road somewhere.”
To celebrate this monumental achievement, a newly remastered HD version of the video is available today, for the first time ever and exclusively on the bands' YouTube channel. Fans can now see the video restored in all its glory, as it was originally intended. Additionally, fans will now be able to access the song’s lyrics in multiple languages including English, Spanish, Italian, French, Japanese, Polish, German, Indonesian Bahasa, Korean, Czech, Russian and Turkish while watching the video.
To further honor this significant milestone, Queen — in partnership with YouTube Music, Universal Music Group and Hollywood Records — have announced the launch of ‘You Are The Champions,’ a unique new campaign that will give fans an exclusive chance to become a part of Queen history with a starring role in three brand-new, user-generated videos for three of the band’s most celebrated tracks. The campaign launches later this month, so stay tuned for more details.
As part of the campaign, musicians, singers, and instrumentalists can take on "Bohemian Rhapsody." Dancers will be able to give their own interpretations for "Don't Stop Me Now," with a special instructional video created by Polly Bennett (Rami Malek’s movement coach from the hit film, “Bohemian Rhapsody”). And, finally, visual artists will get the chance to design any word or phrase from the lyrics of "A Kind of Magic."
Fans can visit
YouAreTheChampions.com to find out more and add their submissions! The finished videos will be published later this year on the bands' official
YouTube channel.
“Bohemian Rhapsody is a sonic and cinematic masterpiece that’s one of the most enduring songs of all time,” said Lyor Cohen, Global Head of Music for YouTube. “The newly remastered video on YouTube will ensure the song continues to be rediscovered, embraced and beloved by old and new generations of music fans around the world. It's incredible to help change the way fans experience music and provide a place for artist and fan connections worldwide."
Celine Joshua (General Manager, Commercial, Content and Artist Strategy at Universal Music Group) said, “We are thrilled that Queen’s iconic "Bohemian Rhapsody" video has reached a historic one billion views on YouTube. Now, together with Queen, YouTube and Hollywood Records, we are excited to launch ‘You Are The Champions,’ an innovative, new user-generated video campaign with Queen’s incredible fans around the world at its core. This will be the first of a series of custom initiatives we have planned in the coming months on the official Queen channel.”
As well as its status as being the first music promo video of its kind, “Bohemian Rhapsody” is regularly cited as one of the greatest songs ever recorded. In 2004, the song was inducted into the Grammy Hall of Fame, and Freddie Mercury’s vocal performance was named by the readers of Rolling Stone magazine as the best in rock history.
The song has continued to inspire a new generation of fans following the unprecedented global success of last year’s biographical film “Bohemian Rhapsody,” which tells the incredible story of the band’s career, as well as the genesis of the song. The film is the highest-grossing music biopic in history, having generated more than $900 million dollars at the box office. The film also won four Oscars, including Rami Malek’s triumph in the Best Actor Category for his portrayal of legendary frontman Freddie Mercury on the big screen — a feat he repeated at both BAFTA and the Golden Globes.
Imagine listening to a new track by your favorite artist in the YouTube Music app and having the ability to seamlessly switch over to watch the music video
— no pauses, no interruptions, just a simple transition that keeps the music flowing. That’s exactly what we’re introducing! Today, YouTube Premium and YouTube Music Premium subscribers can now make a seamless transition between a song and its music video for uninterrupted listening and watching.
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Imagine listening to a new track by your favorite artist in the YouTube Music app and having the ability to seamlessly switch over to watch the music video
— no pauses, no interruptions, just a simple transition that keeps the music flowing. That’s exactly what we’re introducing! Today, YouTube Premium and YouTube Music Premium subscribers can now make a seamless transition between a song and its music video for uninterrupted listening and watching.
Switching between songs and music videos is as simple as the tap of a button. Users will notice a video button at the top of the screen as they start listening to a song, and with a simple tap, they can instantly start watching the music video or flip back to the audio at the same point in the track.
This new feature simplifies listening to songs and watching videos, plus more!
Discovering new music videos is easier than ever before. From recent mega-hits to deep cuts, if a song has a video, YouTube Music will surface a video button so switching between audio and visuals is just one click away.
YouTube Music has perfectly time-matched over five million official music videos to their respective audio tracks, so no matter when or how often you flip back and forth between the two, you won’t miss a beat.
When you flip from video to song, say goodbye to the other sounds that go with the music video — like those long introductions — and enjoy the song as it was intended.
Not into music videos? We’ve got you covered. To stick to songs 100% of the time, visit your settings and turn off the music video option by toggling “Don’t play music videos” to the “on” position.
Whether you’re listening to your favorites or checking out new releases, your music experience just got way more interactive. To check out flipping between song and video, along with all the other great features, download the YouTube Music app for
Android or
iOS, and start your trial of
YouTube Music Premium.
Brandon Bilinski, Product Manager, YouTube Music. He's recently been listening to "Happier" by Marshmello & Bastille.
For the last decade, VidCon has brought fans, creators and industry leaders together to celebrate the power of online video. In honor of VidCon’s 10th anniversary, I took the stage to highlight how YouTube will continue to support and spark new opportunities for creators for the next ten years and beyond.
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For the last decade, VidCon has brought fans, creators and industry leaders together to celebrate the power of online video. In honor of VidCon’s 10th anniversary, I took the stage to highlight how YouTube will continue to support and spark new opportunities for creators for the next ten years and beyond.
More revenue streams, more money for creators
Last year at VidCon, I announced our next big step for creator monetization with new ways for creators to engage with their community while generating revenue. We've built on a number of these initiatives and added a few more.
Super Chat allows fans to purchase messages that stand out within a live chat during live streams and Premieres. There are now over 90,000 channels who have received Super Chats, with some streams earning more than $400 per minute. And Super Chat is now the number one revenue stream on YouTube for nearly 20,000 channels - an increase of over 65% over last year.
Leaning into this momentum, we’re introducing Super Stickers. This new feature will allow fans to purchase animated stickers during live streams and Premieres to show their favorite creators just how much they enjoy their content. Stickers will come in a variety of designs across different languages and categories, such as gaming, fashion and beauty, sports, music, food, and more. These stickers are fun, and we can’t wait for you to use them in the coming months!
With Channel Memberships, fans pay a monthly fee of $4.99 to get unique badges, new emojis, and access to special perks, such as exclusive live streams, extra videos, or shoutouts. Today, we’re adding one of the most-requested features: membership levels. With levels, creators can now set up to five different price points for channel memberships, each with varying perks. We've been testing levels with creators like the Fine Brothers Entertainment on their REACT channel, who have seen their memberships revenue increase by 6 times after introducing two higher-priced tiers.
Our Merch shelf with Teespring allows creators to sell merch to their fans directly from their channel. And today, we are adding 5 new partners, so eligible creators merchandising with Crowdmade, DFTBA, Fanjoy, Represent, and Rooster Teeth can also use the Merch shelf.
Early last year, creator revenue on YouTube from Super Chat, Channel Memberships and merch was nearly zero. Today, these products are generating meaningful results to creators across the globe. In fact, thousands of channels have more than doubled their total YouTube revenue by using these new tools in addition to advertising.
Helping creators amplify their positive impact
Every day, people from around the world come to YouTube to learn something new - from math, science and literature to language lessons, music tutorials and test prep. Today, we’re introducing Learning Playlists to provide a dedicated learning environment for people who come to YouTube to learn. New organizational features will provide more structure, dividing a collection of videos into chapters around key concepts, starting from beginner to more advanced. Additionally, recommendations will be hidden from the watch page, allowing the viewer to focus on the lesson at hand. We understand the importance of getting this right, so we will start with content from a handful of our most trusted partners, like Khan Academy, TED-Ed and Crash Course, testing a variety of categories from professional skills like
working in Java, to academic topics such as
chemistry.
We’ve also seen creators use their megaphone to inspire their communities to join them in supporting those in need. To make that even easier, last year, we began to test YouTube Giving, our fundraising tool that allows creators to use their voice on YouTube to support the charitable causes they care about. YouTube Giving is moving out of beta and will be available to thousands of creators in the U.S. in the coming months! Creators simply select a nonprofit to create a fundraising campaign right next to their videos and live streams. Fans can donate directly on YouTube via a “Donate” button, making it easier than ever for creators and fans to raise funds for causes they care about on the platform.
YouTube creators are living proof that an open and responsible internet can change the world for the better. We’re going to continue working to give them the tools they need to do that.
Connecting our users with the content they love is important to us. We want to help viewers find new interests and passions — such as a new favorite artist, a new creator they can follow or simply the best food recipes. But there's one true expert in what you want to watch: you. One thing we’ve consistently heard from you is that you want more control over what videos appear on your homepage and in Up Next suggestions. So we're doing more to put you in the driver's seat. Three specific changes we will be rolling out in the coming days ...
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Connecting our users with the content they love is important to us. We want to help viewers find new interests and passions — such as a new favorite artist, a new creator they can follow or simply the best food recipes. But there's one true expert in what you want to watch: you. One thing we’ve consistently heard from you is that you want more control over what videos appear on your homepage and in Up Next suggestions. So we're doing more to put you in the driver's seat. Three specific changes we will be rolling out in the coming days:
Explore topics and related videos on your Homepage and in Up Next videos: You can now more easily explore topics and related videos — such as baking videos, the latest late-night talk shows or your favorite music genre, and see more of what you love on YouTube. The options that you see are based on your existing personalized suggestions and are meant to help you find what you're looking for faster. They could be videos related to the one you’re watching, videos published by the channel you’re watching, or other topics which may be of interest to you. This new feature can be found on the homepage when you scroll up, and on Up Next when browsing. It will be available for signed-in users in English on the YouTube app for Android and will be available on iOS, desktop and other languages soon.
Remove suggestions from channels you don’t want to watch: Although we try our best to suggest videos you’ll enjoy, we don't always get it right, so we are giving you more controls for when we don’t. We’ve now made it simple for you to tell us to stop suggesting videos from a particular channel. Just tap the three-dot menu next to a video on the homepage or Up Next, then “Don’t recommend channel.” After that, you should no longer see videos from that channel suggested to you on YouTube. You may still be able to find them if you subscribe, search for them, or visit the channel page or Trending tab. This new feature is available globally on the YouTube app for Android and iOS today, and will be available on desktop soon.
Learn more about why a video may be suggested to you: Finally, sometimes, we recommend videos from channels you haven’t seen before based on what other viewers with similar interests have liked and watched in the past. When we’re suggesting videos based on this, you'll now see more information underneath the video in a small box. Our goal is to explain why these videos surface on your homepage in order to help you find videos from new channels you might like. This new feature is available globally on the YouTube app for iOS today, and will be available on Android and desktop soon.
We hope you’ll find that these new features help you navigate the incredible breadth of content available on YouTube and more easily find great videos to watch. We're looking forward to hearing your feedback.